Carrara, two meetings with Federico Giannini on the sidelines of the Novecento exhibition in Carrara
In Carrara, Palazzo Cucchiari, two meetings with Federico Giannini, director of Finestre sull’Arte, will be held on August 31 and […]
The Foundation organizes exhibitions, events and meetings inside the Palazzo.
In Carrara, Palazzo Cucchiari, two meetings with Federico Giannini, director of Finestre sull’Arte, will be held on August 31 and […]
The Cucchiari Palace concerts are back. Here is the program of the two events that will have free admission. July […]
Carrara and sculpture. An inseparable pair, almost a synonym, since time immemorial. In Carrara, in fact, the tradition of sculpture […]
Scarica il comunicato stampa | Scarica la biografia | Scarica la locandina in alta risoluzione
Colors and forms of work: paintings and sculptures by those artists who after the Unification of Italy arranged a new […]
Venerdì 21 Luglio secondo appuntamento della rassegna I concerti 2017 di Palazzo Cucchiari sotto la direzione artistica di Mario Ancillotti.
The tribute of a man to his city
Giorgio Conti (1928 – 2002) was an entrepreneur who, through his passion, dedication and talent for imagining the future, was able to create a group which is now the world leader in the sector of quarrying and selling of stone blocks.
Giorgio Conti died in 2002 and the following year, wanted by his daughters Franca and Daniela, the Fondazione Giorgio Conti was established. The Foundation was born to continue the ideas of Giorgio Conti, a man who, besides being a passionate and determined businessman, always showed a great sensitivity for social solidarity and the preservation and safeguard of human and artistic values, which will be continued through the initiatives of the Foundation.
The Palazzo, which takes its name from the family which commissioned its construction, is a building constructed for the housing needs of the new borghese class of the late 1800s.
Upon its completion in 1891 by the engineer Leandro Caselli, younger brother to Crescentino Casello and favorite pupil of Alessandro Antonelli, who then finalized the construction of the property of Mole Antonelliana.
Palazzo Cucchiari distinguishes itself for its simple and clear style which combines the linearity which was so en vogue at the time (and which can be found in many other properties made in Carrara by the Caselli such as Palazzo Binelli, Aurelio Saffi School, Dogali police station, Politeama Verdi, the Marcognano cemetery and Piazza D’Armi.)
Today, after a long and careful restoration, Palazzo Cucchiari houses the Giorgi Conti Foundation. Not only does it serve as a space for exhibitions and concerts, it also serves as a testimony to how important the 19th century was for Carrara and all of Italy.
A selection of places of interest...
The marble of Carrara is one of the most precious marbles of the world. It has become immortal thanks to the work of Canova, Bernini and Michelangelo.
It was built during the Lombard age and it is now the seat of the Accademia di Belle Arti (Fine Arts Academy).
The Baroque rooms dating back to the end of the 18th century represent the golden age of the city in the best way.
Once known as Piazza d’Armi and garden of the Prince, it is now famous for its Floating Ball by the American artist Kenneth Davis.
Dedicated to St Andrew, the cathedral was mentioned for the first time in a notary deed of 1035. It was built in marble completely and the inside structure with three naves and upper part of the façade, with the exquisite loggias and the majestic wheel, are worth-noticing.
On 7th July 1944, the uprising of the women of Carrara against the occupying German troops started from this square. A wall painting celebrates the partisan woman Francesca Rolla (1915-2010).
It is the most representative square of the city and it is named after Alberico I Cybo-Malaspina, who wanted it in the 17th century, close to the walls of the city. The square is surrounded by elegant buildings of illustrious and old noble families of Carrara.
An historical palace designed at the end of the 19th century by the engineer-architect Leandro Caselli.