{"id":2465,"date":"2024-06-20T09:15:22","date_gmt":"2024-06-20T08:15:22","guid":{"rendered":"https:\/\/www.palazzocucchiari.it\/?p=2465"},"modified":"2024-07-11T16:26:56","modified_gmt":"2024-07-11T15:26:56","slug":"exhibition-belle-epoque-the-italian-painters-of-modern-life-from-lega-and-fattori-to-boldini-and-de-nittis-to-nomellini-and-balla","status":"publish","type":"post","link":"https:\/\/www.palazzocucchiari.it\/en\/events\/exhibition-belle-epoque-the-italian-painters-of-modern-life-from-lega-and-fattori-to-boldini-and-de-nittis-to-nomellini-and-balla\/","title":{"rendered":"Exhibition ‘Belle \u00c9poque. The Italian Painters of Modern Life From Lega and Fattori to Boldini and De Nittis to Nomellini and Balla’."},"content":{"rendered":"

Divided into seven sections and an intermezzo, the exhibition follows the traces of the changes in painting after the Unification, from the passing of regional schools to the recomposition of a national imprint<\/strong>, aiming straight at an artistic culture suitable for the modern times of the ‘New Italy’<\/strong>.
\nIt was in this context that the entrepreneurial world, high finance and aristocratic enterprise, and no longer just academies and other public institutions, became promoters of the fine arts and, as collectors or patrons, important reference figures for artists and merchants.
\nWhile we are witnessing the decline of the ideals of the Risorgimento, in which the artists had participated with consistency and civil courage, and the conservative involution of the national political class became apparent, Italian Art is finally reborn.
\nThe exhibition is therefore a process that leads from the last Macchiaioli throbs to the effervescence of the Scapigliatura up to the final outcomes of Divisionism, i.e. from Fattori and Lega to Boldini and De Nittis to Nomellini and Balla<\/strong>.
\nNot to mention that other artists in the exhibition with their works bear the names of Signorini, Spadini, Pellizza da Volpedo, Zandomeneghi and Corcos, and then again Antonio Mancini, Tranquillo Cremona, Mos\u00e8 Bianchi, Emilio Longoni, Angelo Morbelli, Gaetano Previati<\/strong>, and many others.
\nIn total, there are about ninety works – including paintings on canvas and on wood, watercolours, pastels and sculptures in bronze and plaster – spanning a period of time from 1864 to 1917<\/strong>.<\/p>\n

INFO EXHIBITION<\/strong><\/p>\n

Giorgio Conti Foundation
\n“Belle \u00c9poque. The Italian Painters of Modern Life.<\/strong>
\nFrom Lega and Fattori to Boldini and De Nittis to Nomellini and Balla”.<\/strong>
\nCurated by Massimo Bertozzi<\/p>\n

From 29\/06\/2024 to 27\/10\/2024<\/strong>
\nPalazzo Cucchiari, via Cucchiari 1, Carrara<\/p>\n

Opening hours<\/strong>:<\/p>\n

FROM JUNE 29th, 2024 TO SEPTEMBER 15th, 2024<\/b>
\nTue – Wed – Thu – Sun 09.30am – 12.30pm \u2022 04.00pm – 08.00pm
\nFri and Sat 09.30am – 12.30pm \u2022 04.00pm – 11.00pm<\/p>\n

FROM SEPTEMBER 17th, 2024 TO OCTOBER 27th, 2024<\/b>
\nTue – Wed – Thu – Sun 09.30am – 12.30pm \u2022 03.00pm – 08.00pm
\nFri and Sat 09.30am – 12.30pm \u2022 03.00pm – 09.00pm<\/p>\n

EXTRAORDINARY OPENING<\/b>
\nThursday September 05th, 2024 – 09.30 – 12.30 \u2022 16.00 – 23.00<\/p>\n

LAST WEEK OF OCTOBER (October 22th to 27th, 2024)<\/b>
\nearly opening at 02.30pm<\/p>\n

Admission<\/strong>:<\/p>\n

FULL<\/strong>: \u20ac 10,00 with audio guide
\nREDUCED<\/strong>: \u20ac 8,00 with audio guide
\nGROUPS<\/strong>: \u20ac 8,00 with\/without audio guide
\nUNIVERSITY STUDENTS<\/strong>: \u20ac 5,00 with audio guide
\nSCHOOLS<\/strong>: Free for students up to 18 years old
\nFREE OF CHARGE<\/strong>: Young people up to 18 years of age, Disabled persons and accompanying person, Journalists with national card.<\/p>\n

CONVENTIONS<\/strong>: COOP LIGURIA – UNICOOP FLORENCE – UNICOOP TIRRENO
\nFULL PRICE \u20ac 8,00 – OVER 65 \u20ac 7,00<\/strong><\/p>\n

Tel. +39 0585 72355<\/strong>
\ninfo@palazzocucchiari.it<\/a><\/strong>
\nwww.palazzocucchiari.it<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Divided into seven sections and an intermezzo, the exhibition follows the traces of the changes in painting after the Unification, […]<\/p>\n","protected":false},"author":2,"featured_media":2442,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-2465","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"yoast_head":"\nExhibition 'Belle \u00c9poque. 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